I’ve been told I should “pick a lane”

I don’t just focus on functional pottery or sculptural work. That’s not how my creative mind works, and it’s not what makes my practice compelling. I need exploration in surface design and glaze chemistry!

years in the making

Rooted in curiosity and material exploration

My expertise is in ceramic surface design. I’ve spent years investigating glaze chemistry, slip trailing, texture application, and color interaction. That knowledge doesn’t belong to just one type of form, it belongs to every piece I make.

When you collect my work, you’re not buying a generic handmade mug or a whimsical house. You’re acquiring a piece where technical skill meets artistic vision, where four years of formal training combines with endless experimentation. You’re investing in work that’s recognized by jurors, collected by serious buyers, and priced to reflect the time, expertise, and one-of-a-kind nature of what I create.

I work full-time from Flux Studio in Red Deer, and every piece that leaves my hands has been intentionally crafted and never mass-produced, never cookie-cutter.

my milestones

Selected Exhibitions & Recognition

01

February 2026: Contemporary Art Show

Two installations: Ideas I Never Finished and How Do You Roll? – An interactive display.

02

2025: Emerging Artist of the Year

Honored for versatile work blending function, whimsy, and sculpture, affirming my commitment to intentional design.

03

October 2025: Abstract Unbound Exhibition

Showcased innovative stoneware forms exploring surface and narrative reflecting the earth in Red Deer.

04

February 2025: All About Paper Exhibition

Featured heavy textured ceramic book with mixed media pages. Titled “The Power Within” in Red Deer.

Rooted In Material Exploration and Glaze Chemistry, Red Deer Ceramic Artist Focuses On Bold And Vibrant Surface Design

An important part of my practice is glaze research and testing. I’m deeply interested in how glaze chemistry, firing temperature, and material combinations influence surface, color, and texture.

This area of ceramics is vast and continually evolving, and I approach it as an ongoing, long-term study.

I regularly test and document glaze recipes, exploring finishes that range from glossy to matte, and surfaces that respond differently depending on form and firing. Small adjustments in oxides, minerals, or application can dramatically change a result, and this unpredictability is part of what draws me to the process.

Much of my research is informed by established glaze literature, including The Complete Guide to Mid-Range Glazes by John Britt. To date, I have tested and documented over 100 glaze variations, building a growing reference library that informs both my functional and sculptural work.

This commitment to glaze development allows surface to play an active role in each piece, ensuring that color and texture are not decorative additions, but integral parts of the form itself.

~ Kerry

available works

Please Explore My Work